flavor is defined by The American Heritage Dictionary as a manner of expression in speech or writing. Our literature book expands on this definition by tell feeling is not an attitude, but it is whenever the verse form makes an attitude reform to us. One poet to whom smelling is rattling important is Theodore Roethke, author of I Knew a Woman. Roethkes writings range from clever poems in strict touchstone and regular stanzas to free verse poems dear of imagery. Also, he is known for his practise of environmental images in his works. In I Knew a Woman, Roethkes tone is of a internal sense. To fully take in Roethkes tone, we must examine his word choice, his use of connotations, and his meter and rime scheme.
        In Roethkes poem, I Knew a Woman, he chooses his course very carefully to convey the tone he wants to his audience. At send-off glance, this poem fronts totally innocent, but after a deeper envision the true meaning of the poem becomes apparent. The reason the poem at first may seem totally innocent is because many of the words and phrases can have more than one meaning. An exercise of the use of a phrase with a double meaning is when the poet says he comes behind her for her pretty sake. This phrase can be taken one of two ways. You can take it literally or you can take it in a sexual sense. Literally, this phrase would mean that the protagonist walked behind the beautiful woman. However, if you guess this phrase in a sexual sense it promoter that the protagonist waited to reach climax until the woman was satisfied. This use of words and phrases having more than one meaning is a strong ratifier to Roethkes tone.
        A second important contributing factor to Roethkes tone is his use of connotations. Lines that the audience would normally pass over see hidden sexual meaning, revealed after a closer look. throughout the poem Roethke uses several connotations regarding sex. In line fourteen the poet says, ¦what big mowing we did make. After a little research, the reader will surface that to mow, in Scottish dialect, means to have sexual intercourse. The use of connotations in Roethkes work contributes a great deal to the boilers suit tone of the poem.
        The final illustration that contributes to Roethkes tone in I Knew a Woman is his meter and rhyme scheme. This may seem like a venial contributor, but in actuality it is a huge contributor to the overall tone. The poem contains many caesural pauses, so that the voice is stopping and the audience is anxiously awaiting the enjoyment of the completed phrase.
This is very effective contributor to the tone. Another example that contributes to the tone of the poem is how each half line is equilibrate against its compliment ? sighed, sighÂ; moved, movedÂ; container, contain. (779). These are just a few of the many examples of how Roethke balances his lines with a compliment. Even though meter and rhyme scheme, to some, may seem only a minor contributor to the overall tone of a poem, in actuality it contributes much.
Tone is very important in poetry. In fact, two poems with fundamentally the same words but with a different tone can have two separate meanings. In Roethkes, I Knew a Woman, we see how he develops his tone by study his word choice, his use of connotations, and lastly, his meter and rhyme scheme. After examining sagacious details of Roethkes tone development we see that he intends for this poem to be sexually suggestive.
        Works Cited Roethke, Theodore. I Knew a Woman. Literature, An accounting entry to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Giola. Seventh ed. New York: Longman, 1999.
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